I
love to dance, always.
Scientific
interpretation of dance and more newer ways to explore movement
possibilities interests me the
most.
This
deep interest in dance began as early as I can take my memory back to my
childhood. This love for dance grew with time and I developed my physical and
artistic abilities through constant mimicking of popular dance sequences/moves
from Indian movies. This prompted me to formally learn Bharathanatyam (one of
the Indian classical dances), professionally under Prof. Hema Govindarajan at
Bangalore and also later from Guru Minal Prabhu at Bangalore. This association
with Indian classical dance brought me closer to Indian traditional schools of
thought. I became deeply fascinated by various Indian philosophies and I
studied many of them closely. These studies have influenced my movement
expression and dance conceptualization to a very large extent. I studied allied
Indian physical traditions like yoga and Kalaripayattu(martial art form from
kerala, India), to learn more of my physical and mental body in its relevance
to the space around.
I encountered the world of Contemporary dance in 1998, when I was
asked to perform (after a long and rigorous reorientation of my body language)
for a show by Dance artist Tripura Kashyap, as part of her
contemporary dance company Apoorva, at Bangalore. I continued my training in
contemporary dance under Jayachandran Palazhy at Attakkalari Center formovement Arts, Bangalore, India.
In 2006, I enrolled into Jayachandran Palazhy’s dance college for the
Diploma in movement arts and mixed media course, at Attakkalari, Bangalore,
India. I received training under many European and Indian dance teachers during
the Diploma and also later while I was part of Attakkalari’s Repertory company.
I joined the dance college’s repertory company as a performer and teacher. My
role at Attakkalari was primarily as a dance teacher than a regular dancer on
stage. At one point I performed for three heads of states Presidents of
India, Brazil and South Africa at a diplomatic event IBSA Summit 2008, held
in New Delhi.
I still continue learning at master classes and workshops conducted by
Independent Dance artists and dance teachers in India and Europe. I also take
short term assignments of teaching dance to children in schools.
….………Improvisation
in Dance
has always intellectually challenged me to investigate the origin of the
movements ………..physically working closely and intensively observing my fellow
dancers……..I seek the origin of the human body’s inherent orientation to move …..to
experience the various states of body-mind continuum, living in the dynamics
with the space around …….….… yes, I am that dancer.
I
am in constant search to learn more and to unlearn all that I may not need to
reach the essence called DANCE.